Ashly Audio

Ashly Audio Pro Audio > Signal Processors > Equalizers >

Ashly Audio Protea 4.24PS 4-Channel Parametric EQ Sys Processor.

The Protea 4.24PS 4-Channel Parametric EQ Sys Processor lets you install multiple channel parametric equalizers where tamperproof, precise audio equalization is required. Easily control and program the Protea EQ with Ashly's exclusive Protea System Software running on a PC or a MIDI controller. The Protea 4.24PS is housed in an all-steel, 2RU chassis, and has four independent channels of fully programmable 12 band parametric EQ with with limiter, high- and low-pass filter, and time delay functions.Each parametric band allows for 1/25th to 3.3 octave Q, a twenty-four step/octave frequency adjustment from 20Hz to 20KHz and level control of +10/-20dB in 0.5dB increments. High and low shelf filters are adjustable from 1.6kHz to 20kHz and 20Hz to 240Hz, respectively. High and low pass filters are 24dB/octave adjustable from 20Hz to 10.6kHz and 33Hz to 20kHz, respectively. Time delay is adjustable up to 1.364 seconds.Other features include 24-bit A/D-D/A conversion, 24-bit/100MHz digital processing, RS-232, and MIDI interface, linkable channels, +6dB/-infinity master gain, and 128 preset locations. Both units display individual channel numbers using 7-segment displays. Signal present and signal clip levels are indicated by discrete LEDs.. ...details

Ashly Audio Pro Audio > Signal Processors > Equalizers >

Ashly Audio Protea 2.24GS 2-Channel Graphic EQ Sys Processor.

The Protea 2.24GS 2-Channel Graphic EQ lets you install multiple channel graphic equalizers where tamperproof, sound shaping equalization is required. Easily control and program the 2.24GS from the 4.24G Main Unit, a 4.24RD Remote Control, a MIDI controller or with Ashly's exclusive Protea System Software on a PC. The Protea 2.24GS is housed in an all-steel, 1RU chassis, and has two independent channels of fully programmable 28-band graphic EQ with limiter, high- and low-pass filter, and time delay functions.Each channel allows for 28 bands of 1/3-octave, ISO centered, constant Q filters, ranging from 31Hz to 16kHz. High and low pass filters are 24dB/octave adjustable from 20Hz to 10.6kHz and 33Hz to 20kHz, respectively. Time delay is adjustable up to 1.364 seconds. Other features include 24-bit A/D-D/A conversion, 24-bit/100MHz digital processing, RS-232, and MIDI interface, linkable channels, +6dB/-infinity master gain, and 128 preset locations. The 2.24GS displays individual channel numbers with 7-segment displays. Discrete LEDs indicate signal present and signal clip levels. Rear-panel connections include balanced XLR and 1/4" ins/outs for each channel, RS-232, MIDI In, Out/Thru, and Ashly's exclusive digital remote control protocol via two standard XLR connectors.. ...details

Ashly Audio Pro Audio > Signal Processors > Equalizers >

Ashly Audio Protea 2.24PS 2-Channel Parametric EQ Sys Processor.

The Protea 2.24PS 2-Channel Parametric EQ allows for the installation of multiple channel parametric equalizers where tamperproof, precise audio equalization is required. Ashly's exclusive Protea System Software running on a PC or a MIDI controller can easily control and program the processor. The Protea 2.24PS is housed in an all-steel, 1RU chassis, and has two independent channels of fully programmable 12-band parametric EQ with with limiter, high- and low-pass filter, and time delay functions.Each parametric band allows for 1/25th to 3.3 octave Q, a 24-step/octave frequency adjustment from 20Hz to 20KHz and level control of +10/-20dB in 0.5dB increments. High and low shelf filters are adjustable from 1.6kHz to 20kHz and 20Hz to 240Hz, respectively. High and low pass filters are 24dB/octave adjustable from20Hz to 10.6kHz and 33Hz to 20kHz, respectively. Time delay is adjustable up to 1.364 seconds.Other features include 24-bit A/D-D/A conversion, 24-bit/100MHz digital processing, RS-232, and MIDI interface, linkable channels, +6dB/-infinity master gain, and 128 preset locations. Both units display individual channel numbers using 7-segment displays. Signal present and signal clip levels are indicated by discrete LEDs.. ...details

Ashly Audio Pro Audio > Signal Processors > Equalizers >

Ashly Audio Protea 4.24GS 4-Channel Graphic EQ Sys Processor.

The Ashly Proteo 4.24GS allows for the installation of multiple channel graphic equalizers where tamperproof, sound shaping equalization is required. Easily control and program the 4.24GS from the 4.24G Main Unit, 4.24RD Remote Control, with a MIDI controller, or with Ashly's exclusive Protea System Software running on a PC. The Protea 4.24GS is housed in an all-steel, 2RU chassis, and has two independent channels of fully programmable 28-band graphic EQ with with limiter, high- and low-pass filter, and time delay functions.Each channel allows for 28 bands of 1/3-octave, ISO centered, constant Q filters, ranging from 31Hz to 16kHz. High and low pass filters are 24dB/octave adjustable from 20Hz to 10.6kHz and 33Hz to 20kHz, respectively. Time delay is adjustable up to 1.364 seconds. Other features include 24-bit A/D-D/A conversion, 24-bit/100MHz digital processing, RS-232, and MIDI interface, linkable channels, +6dB/-infinity master gain, and 128 preset locations. The 4.24GS displays individual channel numbers with 7-segment displays. Discrete LEDs indicate signal present and signal clip levels. Rear-panel connections include balanced XLR and 1/4" ins/outs for each channel, RS-232, MIDI In, Out/Thru, and Ashly's exclusive digital remote control protocol via two standard XLR connectors.. ...details

Ashly Audio Pro Audio > Signal Processors > Crossovers >

Ashly Audio XR-2001 Stereo 3-Way, Mono 4/5-Way Crossover.

The Ashly XR-2001 is a Stereo 3-Way, Mono 4/5-Way crossover based upon a powerful state-variable filter circuit, which guarantees that two adjacent frequency band outputs always remain in phase. The XR-2001 crossover offers a number of useful and unusual features, including continuous tuning, a response control, and a unique output stage which maintains low noise at any level setting. It also includes a 200:1 tuning range, output mute switch, and both TRS and XLR connectors. Like other Ashly products, this crossover features low noise and distortion, active balanced inputs, a peak level indicator, a precision regulated power supply, protection against abnormal input or output conditions, and rugged mechanical construction. Conservative design and an unusually thorough procedure for quality control have earned Ashly a reputation for dependability in the recording, sound reinforcement, and broadcast fields.Response Control; an Ashly Exclusive... This control, found adjacent to the crossover frequency control, adjusts the damping of the filter affecting the response shape of the filters at the crossover point. The dial calibrations refer to the amount of attenuation effected by the filter at the crossover frequency, i.e., a setting of 3dB means that the filter's high-pass and low-pass outputs are each "rolled off 3dB at the crossover point". This describes Butterworth filter response, or a gentle 3dB peak at the crossover point when the two filter output signals overlap. To obtain a flat signal, or "Linkwitz-Riley" response through the crossover region, set the Response control to "6". This attenuates each output of the filter by 6dB at the crossover point (two identical signals added together yield a +6dB increase). To obtain a notch at the crossover point, turn down the response control past "6" to best suit your needs.The purpose of this control is to help offset the inaccuracies inherent in typical loudspeakers, thereby helping you to achieve a flat system response. NOTE: The Response control is not a "slope" control. A 24dB/octave crossover will always have a slope of 24dB/octave. The Response control only affects filter response shape in the immediate vicinity of the crossover frequency; the ultimate crossover slope is a fixed parameter.. ...details

Ashly Audio Pro Audio > Signal Processors > Crossovers >

Ashly Audio XR-4001 Stereo 4-Way/Mono 7-Way Crossover.

The Ashly XR-4001 Stereo 4-Way (Mono 7-way ) rackmount crossover is based upon a powerful state-variable filter circuit, which guarantees that two adjacent frequency band outputs always remain in phase. The XR-4001 Crossover offers a number of useful and unusual features, including continuous tuning, a response control, and a unique output stage which maintains low noise at any level setting. It also includes a 200:1 tuning range, output mute switch, and both TRS and XLR connectors. It features low noise and distortion, active balanced inputs, a peak level indicator, a precision regulated power supply, protection against abnormal input or output conditions, and rugged mechanical construction. The XR-4001 Crossover has a conservative design and an unusually thorough procedure for quality control have earned Ashly a reputation for dependability in the recording, sound reinforcement, and broadcast fields.Response Control; an Ashly Exclusive... This control, found adjacent to the crossover frequency control, adjusts the damping of the filter affecting the response shape of the filters at the crossover point. The dial calibrations refer to the amount of attenuation effected by the filter at the crossover frequency, i.e., a setting of 3dB means that the filter's high-pass and low-pass outputs are each "rolled off 3dB at the crossover point". This describes Butterworth filter response, or a gentle 3dB peak at the crossover point when the two filter output signals overlap. To obtain a flat signal, or "Linkwitz-Riley" response through the crossover region, set the Response control to "6". This attenuates each output of the filter by 6dB at the crossover point (two identical signals added together yield a +6dB increase). To obtain a notch at the crossover point, turn down the response control past "6" to best suit your needs.The purpose of this control is to help offset the inaccuracies inherent in typical loudspeakers, thereby helping you to achieve a flat system response. NOTE: The Response control is not a "slope" control. A 24dB/octave crossover will always have a slope of 24dB/octave. The Response control only affects filter response shape in the immediate vicinity of the crossover frequency; the ultimate crossover slope is a fixed parameter.About Ashly Ashly is a name that's well-known among top sound reinforcement professionals, however, for those who don't know, it's a company that began over 30 yeas ago as a group recording engineers, concert sound professionals, and electronics designers who built elaborate custom consoles with built-in electronic crossovers, compressor/limiters, and parametric equalizers. Today, Ashly Audio is recognized as a world leader in quality signal processing equipment and power amplification.Initially, Ashly's first customers were friends and associates, and naturally, as with any product designed and built by those who actually use the gear professio. ...details

Ashly Audio Pro Audio > Signal Processors > Crossovers >

Ashly Audio Protea 4.24C Speaker Processor.

The Ashly Protea 4.24C is a 4-input, 8-output speaker processor coupled with a user interface that is so easy you won't even need the manual to set up your system. The Protea System II 4.24C Digital Crossover/System Processor has all the audio processing tools needed for precise crossover and sound control. Each input allows you to control gain, delay and six parametric, low or high shelf filters. In addition to setting crossover frequencies, each output may be assigned to any one or a combination of inputs, allows you to program four parametric, low or high shelf filters, delay for time delay adjustments, output gain, reverse polarity and a compressor/limiter for speaker protection. All this in a one rack space with XLR input and output connections. You may also program and control the 4.24C with Ashly's Protea System Software (Windows™ 95, 98, 2000, XP and NT platforms), AMX NetLinx, MIDI or SIA-Smaart software. In all, the Protea 4.24C is a powerful tool for use in fixed installation and live sound applications.. ...details

Ashly Audio Pro Audio > Signal Processors > Crossovers >

Ashly Audio Protea 3.24CL 3-In, 3-Out Speaker Processor.

The Ashley Protea 3.24CL was developed for smaller audio systems requiring fewer inputs and outputs without sacrificing sonic quality. The Protea 3.24CL processor has 3 inputs and 3 outputs coupled with an incredibly easy user interface on the front panel with all the audio processing tools you need for precise crossover, system control and superior sound.Each input allows you to control gain, delay and 6 filters (each of them your choice of parametric, low or high shelf). Each output permits you to set your crossover frequencies and may be assigned to any one or a combination of inputs. Additionally, you can program 4 filters (each of them your choice of parametric, low or high shelf), control delay for time delay adjustments, adjust output gain, reverse polarity and control a compressor/limiter for speaker protection. All this in one rack space with XLR input and output connections.. ...details

Ashly Audio Pro Audio > Signal Processors > Equalizers >

Ashly Audio Protea 4.24G 4-Channel Graphic EQ System Processor.

Full control of the Protea 4.24G 4-Channel Graphic EQ System Processor is accomplished from the front panel in an intuitive and straight-forward layout. It's like using your old analog equalizer, only with extra features and benefits to simplify your audio chain requirements. Housed in an all-steel 2RU package, the 4.24G has all the audio processing tools needed for flawless equalization and sound control. In addition to 28 bands of 1/3-octave EQ are a programmable compressor/limiter for speaker protection and programmable delay of up to 1.364 seconds for time delay applications required by speaker arrays and clusters or monitor speakers. Individual, programmable 24dB/octave high- and low-pass filters allow you to zero in and fine tune the audio spectrum you need to work in. A large 240 x 64 fluorescent backlit display keeps you constantly informed of every parameter, function and utility, including metering and user preferences. The 4.24G may be controlled from a remote location using the Protea 4.24RD.. ...details

Ashly Audio Pro Audio > Signal Processors > Equalizers >

Ashly Audio GQX-3102 Dual 31-Band Graphic Equalizer.

The Ashly GQX-3102 is a graphic equalizer that features two channels of 31-band 1/3-octave EQ, a tunable high-pass filter circuit (8Hz to 200Hz), a switch-selectable cut or boost of either 6dB or 15dB. The full-throw faders are a custom-manufactured metal-shaft type, with the center detented position utilized as an "on/off" switch for that filter (to minimize any possible degradation in signal noise levels). and 10-segment, two color LED meter displays, referencing 0 VU to +4dBu.The GQX models are designed to be significantly quiet without the need for noise reduction to be built into the equalizer circuit. Double-sided circuit boards with ground plane design are used in the filter sections for improved RFI and electrostatic immunity. Precision Wein-Bridge filters and carefully designed summing amplifiers combine to provide extremely accurate response, low noise, negligible distortion, and complete immunity to magnetic fields. All filters exhibit true constant "Q" response with no broadening near the "flat" setting. High slew-rate circuitry throughout the signal path results in clean, quiet, transparent sound. The faders used are a custom-manufactured metal-shaft type, with molded saddle knobs, for the ultimate in reliability and smooth "feel". Ashly's unique "T-Beam" front panel construction eliminates interconnections between the faders and the filters, resulting in a very rugged and rigid front panel. GQX EQ's are covered by a Five Year Worry-Free Warranty. Input and output connections include barrier strip terminals and 1/4" TRS phone jacks, as well as standard locking XLR's. Circuit ground may be lifted from chassis ground via the barrier strip. Ashly's servo-balanced output circuitry maintains unity gain even if pins 2 or 3 are connected directly to ground. The power supply is a universal switching power supply which operates from 90 - 240VAC, 50/60Hz with the power switch located on the rear panel.Applications: monitor systems; front of house sound systems; installations requiring fixed EQ; recording/broadcast studios; DJ systems. ...details

Ashly Audio Pro Audio > Signal Processors > Compressors and Limiters >

Ashly Audio CLX-52 2-Channel Compressor Limiter.

The Ashly CLX-52 is a 2-channel compressor/limiter that uses an "infinite soft-knee" characteristic and timing based on compression ratio. This, combined with a dual release time, allows program density to increase as the input signal increases. The result is a peak controller with very low noise, smooth sound, and excellent stereo tracking, and without the usual "constricted" limiter sound. The CLX-52 has many ways to deal with any gain structure. The mechanical design is ready for years of rugged service and is backed by Ashly's exclusive Five Year Worry-Free Warranty. The CLX-52 is extremely useful for such diverse applications as loudspeaker protection, vocal level control, broadcast limiting, musical instrument sustain, special effects, and CD to cassette transfers.. ...details

Ashly Audio Pro Audio > Signal Processors > Equalizers >

Ashly Audio GQX-1502 Dual 15-Band Graphic Equalizer.

The Ashly GQX-1502 is a graphic equalizer that features two channels of 15-band 2/3-octave EQ and a switchable high-pass filter (40Hz). The full-throw faders are a custom-manufactured metal-shaft type, with the center detented position utilized as an "on/off" switch for that filter (to minimize any possible degradation in signal noise levels). and 10-segment, two color LED meter displays, referencing 0 VU to +4dBu.The GQX models are designed to be significantly quiet without the need for noise reduction to be built into the equalizer circuit. Double-sided circuit boards with ground plane design are used in the filter sections for improved RFI and electrostatic immunity. Precision Wein-Bridge filters and carefully designed summing amplifiers combine to provide extremely accurate response, low noise, negligible distortion, and complete immunity to magnetic fields. All filters exhibit true constant "Q" response with no broadening near the "flat" setting. High slew-rate circuitry throughout the signal path results in clean, quiet, transparent sound. The faders used are a custom-manufactured metal-shaft type, with molded saddle knobs, for the ultimate in reliability and smooth "feel". Ashly's unique "T-Beam" front panel construction eliminates interconnections between the faders and the filters, resulting in a very rugged and rigid front panel. GQX EQ's are covered by a Five Year Worry-Free Warranty. Input and output connections include barrier strip terminals and 1/4" TRS phone jacks, as well as standard locking XLR's. Circuit ground may be lifted from chassis ground via the barrier strip. Ashly's servo-balanced output circuitry maintains unity gain even if pins 2 or 3 are connected directly to ground. The power supply is a universal switching power supply which operates from 90 - 240VAC, 50/60Hz with the power switch located on the rear panel.Applications: monitor systems; front of house sound systems; installations requiring fixed EQ; recording/broadcast studios; DJ systems.. ...details

Ashly Audio Pro Audio > Signal Processors > Equalizers >

Ashly Audio MQX-2150 Dual 15-Band Graphic Equalizer.

The Ashly MQX-2150 is a 15-band graphic equalizer that features 2 channels of fifteen-band 2/3 octave equalization and a switchable high-pass filter in 1RU. MQX Series EQ's use precision filter design and summing circuitry, with each filter exhibiting true constant "Q" response. The center-detented position of each fader acts as an on/off switch for its filter (to minimize any possible degradation to signal noise levels), ensuring absolutely flat response and high signal-to-noise ratios. Instead of 20mm plastic faders typically used by other manufacturers, Ashly uses a custom-manufactured 25mm slide faders. The additional range and accuracy allows ±15 dB of boost or cut adjustment on each individual filter (an Ashly exclusive in this class of product).Input and output connections include 1/4" TRS phone jacks, as well as standard locking XLR's. Ashly's servo-balanced output circuitry maintains unity gain even if pins 2 or 3 are connected directly to ground. The power supply is a universal switching power supply which operates from 90 - 240VAC, 50/60Hz with the power switch located on the rear panel. MQX Series equalizers are covered by an exclusive Five Year Worry Free Warranty.APPLICATIONS: Monitor Systems; Front of House Sound Systems; Installations Requiring Fixed EQ; Recording/Broadcast Studios; DJ Systems. ...details

Ashly Audio Pro Audio > Signal Processors > Crossovers >

Ashly Audio XR-1001 Stereo 2-Way, Mono 3-Way Crossover.

The Ashly XR-1001 is a Stereo 2-Way, Mono 3-Way crossover based upon a powerful state-variable filter circuit which guarantees that two adjacent frequency band outputs always remain in phase. The XR-1001 crossover offers a number of useful and unusual features, including continuous tuning, a response control, and a unique output stage which maintains low noise at any level setting. It also includes a 200:1 tuning range, output mute switch, and both TRS and XLR connectors. Like other Ashly products, your crossover features low noise and distortion, active balanced inputs, a peak level indicator, a precision regulated power supply, protection against abnormal input or output conditions, and rugged mechanical construction. Conservative design and an unusually thorough procedure for quality control have earned Ashly a reputation for dependability in the recording, sound reinforcement, and broadcast fields.Response Control; an Ashly Exclusive... This control, found adjacent to the crossover frequency control, adjusts the damping of the filter affecting the response shape of the filters at the crossover point. The dial calibrations refer to the amount of attenuation effected by the filter at the crossover frequency, i.e., a setting of 3dB means that the filter's high-pass and low-pass outputs are each "rolled off 3dB at the crossover point". This describes Butterworth filter response, or a gentle 3dB peak at the crossover point when the two filter output signals overlap. To obtain a flat signal, or "Linkwitz-Riley" response through the crossover region, set the Response control to "6". This attenuates each output of the filter by 6dB at the crossover point (two identical signals added together yield a +6dB increase). To obtain a notch at the crossover point, turn down the response control past "6" to best suit your needs.The purpose of this control is to help offset the inaccuracies inherent in typical loudspeakers, thereby helping you to achieve a flat system response. NOTE: The Response control is not a "slope" control. A 24dB/octave crossover will always have a slope of 24dB/octave. The Response control only affects filter response shape in the immediate vicinity of the crossover frequency; the ultimate crossover slope is a fixed parameter.. ...details

Ashly Audio Pro Audio > Signal Processors > Equalizers >

Ashly Audio MQX-2310 Dual 31-Band Graphic Equalizer.

The Ashly MQX-2310 is a Dual 31-band graphic equalizer that features two channels of 1/3 octave EQ in a 2-space rack unit. MQX Series EQ's use precision filter design and summing circuitry, with each filter exhibiting true constant "Q" response. The center-detented position of each fader acts as an on/off switch for its filter (to minimize any possible degradation to signal noise levels), ensuring absolutely flat response and high signal-to-noise ratios.Instead of 20mm plastic faders typically used by other manufacturers, Ashly has selected a custom-manufactured 25mm slide fader device. The additional range and accuracy of this component allow it to offer ±15 dB of boost or cut adjustment on each individual filter (an Ashly exclusive in this class of product), and use every last bit of panel space so that small panel size doesn't compromise resolution.Input and output connections include 1/4" TRS phone jacks, as well as standard locking XLR's. The MQX-2310 also has barrier strip connections. Ashly's servo-balanced output circuitry maintains unity gain even if pins 2 or 3 are connected directly to ground. The power supply is a universal switching power supply which operates from 90 - 240VAC, 50/60Hz with the power switch located on the rear panel. MQX Series equalizers are covered by an exclusive Five Year Worry Free Warranty.APPLICATIONS: Monitor Systems; Front of House Sound Systems; Installations Requiring Fixed EQ; Recording/Broadcast Studios; DJ Systems. ...details